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Reviews :
Old Crow Medicine Show release in 2008 their third Nettwerk album called Tennessee Pusher. Produced by the legendary Don Was (Bob Dylan, Bonnie Raitt, the Rolling Stones), the album features the first single "Caroline" along with 11 other Old Crow originals and an American standard called "Lift Him Up" by Blind Alfred Reed. Having sold over 290K albums, OCMS can attribute much of their success to their relentless touring schedule. Between headlining shows and countless festivals (Bonnaroo, Telluride Bluegrass Festival, New Orleans Jazz Festival, etc), the band lives on the road - they thrive on the communal experience of the live shows. OCMS have made a name for themselves as energetic performers with an unbridled spirit."as musicians, songwriters and singers, they are the smartest and finest purveyors of American music to come down the pike in decades." - Don Was
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Live In Vienna: A concert with Andre Rieu on the square in front of the imperial Hofburg Palace in the heart of Vienna. This DVD includes superb compositions from the most famous Viennese composers: Johann Strauss, Franz Lehar, Emmerich Kalman, W.A. Mozart, Robert Stolz and many others, set against the background of the most beautiful, stylish scenery imaginable. This DVD includes tracks not shown on the television special.
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Grammy Award-winning violinist Joshua Bell, who has enchanted audiences for two decades with his breathtaking playing and tone of rare opulence, has recorded Antonio Vivaldi's concertos The Four Seasons. Widely considered as one of the premiere violinists of his generation, Bell is joined on this studio release by the celebrated musicians of the Academy of St.Martin in the Fields, who toured the work with him prior to the recording sessions. This recording of The Four Seasons is coupled with another masterpiece of Baroque virtuosity, Giuseppe Tartini's The Devil's Trill. The liner notes by Linda Kobler explain the curious genesis of Tartini's piece and the indisputable place of Vivaldi's concertos in the history of sonata composition.
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supreme spirituality

This is one of the most beautiful sacred music ever, you reach peace, sublimity in a humble heart.
Please visit Heiligenkreuz when in Vienna, a delightful short trip (try to find out when the Cistercian monks sing in the church) you'll never forget the experience.

Walter M. Reimann
Toronto,Canada

meditation/relaxation tpae
this cd was awesome and just what i hoped it would b..very relaxing, helpful to meditate..its soothing sounds lull u..excellent!
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Life Saver
This product was recommended to me by my cousin. It has been well worth the $15-and then some. My son loves it-and has loved it since he was 3 months old. He's now 11 months and will still sit & watch it. I actually enjoy watching it myself-it's very intriguing. The music is wonderful-so peppy and spirited. This is our favorite Baby Einstein dvd. I have purchased several as shower gifts for new mom's. Love it!

Great video
I got this video for my daughter when she was 6 months old. She watched it a little then, but now that she is older (11 months) she really loves to watch it.
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The Metropolitan Opera's acclaimed Live in High-Definition series, which projects live performances into theaters across the globe, has met with unprecedented critical and commercial success and has made opera convenient and affordable to millions of viewers worldwide. Now, EMI Classics is proud to collaborate with The Met to release 6 new DVDs made from these broadcast performances.

Puccini's immortal classic of love and loss, with Franco Zeffirelli's sumptuous, iconic production and Nicola Luisotti's expressive conducting. Angela Gheorghiu, the leading Puccini soprano of our time, reprises the role of Mimì, while tenor Ramón Vargas gives a sensitive reading of Rodolfo. All these forces combine for a truly definitive performance of this beloved opera!
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Reviews :
This is the special, deluxe edition! In addition to the Strauss program, a second disc which highlights Fleming's signature roles at the Metropolitan Opera is included. These extended scenes are drawn from her highly-regarded Decca discography. Renée Fleming, the world's preeminent lyric soprano, is joined by Christian Thielemann, internationally acclaimed for his performances of Strauss works, for this recording of the exquisitely beautiful Four Last Songs. These enduringly popular works have become signature pieces for the soprano and she was delighted for the opportunity to work with the gifted Thielemann. In addition, Fleming performs a selection of lieder with orchestra as well as arias from Ariadne auf Naxos and Die ägyptische Helena.. On September 22, Fleming will open the Met Opera Season with a Gala featuring her in her most acclaimed roles. This one-night-only performance will be broadcast live in HD to movie theaters throughout the US.
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Reviews :
Strauss singing at the highest level of achievement
It says something sad about the current state of opera recordings that Renee Fleming hasn't been given a complete Strauss role on disc beyond Daphne, not the Marschallin or Ariadne. As evidenced here, she is uniquely gifted to assume those roles, as well as to sing Strauss's orchestral songs. Compared to her 1995 version with Eschenbach (BMG), the new one marks a quantum leap in artistry. Fleming won a Guggenheim fellowship to study in Germany as a young singer, I believe, and her ability to find meaning in Hesse's poetry is impresive. I think only Schwarzkopf surpasses her in that regard. And Fleming can spin out a long pianissimo better than anyone since Caballe in her prime.

Thielemann is also a much finer conductor than Eschenbach. He and his soloist have crafted a thoughtful, highly nuanced interpreatation that touches the heart of the music as well as the lsitener's heart (I couldn't say that about her earlier account, where incredible vocalism was the whole show). What other reviewers call overacting is actually expressivity -- Fleming obviously feels this music deeply and has reached that blessed time in an artist's career when she can fully communicate anything she wants to. Her Ariadne excerpts are poignant and rival even Schwarzkopf in beauty.

My only criticism is that she starts a fraction off pitch and strained at the beginning of the Four Last Songs, no doubt because of the live concert setting. But soon everything is vocally in place. Contrary to what an e sour reivewr claims, there's little difference between Fleming's voice today and her voice 13 years ago. Time has been incredibly kind, and Fleming has repaid that gift by growing constantly in artistry.

Colpo di glottis galore
Since when do Richard Strauss and repeated unapologetic abuse of the colpo di glotti go together?....actually never!!!!!!!!!
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